Sidney Chambers is the canon of a church near Cambridge following World
War II and he never intended to get into the detection business.
However, after one service he is asked by a female parishioner to look
into a suicide, which she feels was really a murder. She and the victim
had had an affair. Sidney discusses the case with his friend Inspector
Geordie Keating and finds out that no note was left. This case is the
beginning of what is to be a minor career in helping the police solve
crimes.
However, later, the secretary of the victim shows Sidney a
note that appears to be a suicide note. Sidney also receives the
victim's diary in which he would erase his daily notes. The initials A.
M. and P. M. Play a prominent role in the diary.
Sydney makes
some calculated assumptions and puts forth his thesis to the inspector.
Together they concoct a plan to draw the murderer out, and are not
surprised when another murder is attempted.
New Year's Eve and
Sidney is in London to attend a party. One of the guests is given an
engagement ring, but before she can accept it, a minor mishap occurs in
the room. While the mishap is being attended to, the ring disappears.
It would appear that none of the guests has taken it. Naturally, the
priest is asked to quietly investigate, otherwise calling the police
might do harm to the host, an MP.
Lent has rolled around and
Sidney is asked by his friend, Inspector Keating, to quietly query a
woman and her fiancé, who is a doctor, about the death of her mother and
rather hasty marriage that is about to ensue. Was it a medical mistake
or a matter of murder?
Later in the spring, while in London
taking in a jazz concert, Sidney and Inspector Keating are thrust into
another murder investigation when the daughter of the nightclub owner is
strangled during the drum solo. Is her death a vendetta? It is when
Sidney is on the train home, and a parishioner asks for a clue to a
crossword that Sidney comes up with a solution to the crime.
Summer
has arrived and Sidney is visiting Lord Teversham's home. Teversham
has an extensive art collection, and Sidney offers to have his friend
Amanda Kendall come evaluate it. She discovers that one of the restored
pictures is actually a copy of the real thing. Now they must find out
what happened to the original. Unfortunately Amanda begins her own
investigation on her own leading her into trouble.
Once autumn
arrives Sidney finds a new diversion, acting in a modern version of
Shakespeare's Julius Caesar. Unfortunately during the play Julius is
really done to death. Since the actors were all wearing black, it was
difficult to determine who the murderer actually is; plus the murder
weapon has disappeared.
To be honest, this book was not one I would rate highly.
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